The past few years have been busy ones for Tāmaki Makaurau Auckland-based artist Shannon Novak. He’s produced solo projects, like the multi-site Cultivate (2021) in Ngāmotu New Plymouth, and participated in group shows, such as Sympathetic Resonance (2019) at the Suter Art Gallery Te Aratoi o Whakatū, Nelson, and Queer Algorithms (2020) at the Gus Fisher Gallery, Tāmaki Makaurau. Francis...
On building bridges
Refining abundance Considering Queer Algorithms
I recline on pieces of a knobbly kind of foam I think is used to soften ambient noise in recording studios. Beneath me is an expanse of printed water, doubled like a Rorschach blot. It flies up at my feet, begins to curl, and dissolves into a sheet of balloons, evocative of both sea spume and an end-of-night balloon drop in a club. A few of the globes are puckering. It’s May, and the party has...
Coming out in practice Considering Shannon Novak’s Sub Rosa
In 1995 I lost my virginity in the New Plymouth Public Library toilets whilst waiting for my shift to start at PAK’nSAVE. It was an unplanned event that unfolded like a slow dance. We never said a word to each other; it was all eye contact. It was during a time I had no other means of meeting men in New Plymouth. I somehow felt and knew that the library was where I was supposed to be, where it...